Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

Netflix续订《外滩探秘》第四季。

Netflix续订《外滩探秘》第四季。

Meltwater flowing down the mountainside becomes a wild, churning river. Silhouettes battle desperately against the rushing water so as not to be swallowed up. Vast cloudscapes glide at speed over the Armenian highlands. 　　In this, his last collaboration with cameraman Mikhail Vartanov, Artavazd Pelechian captures a reclusive peasant community in its unceasing battle with the elements. In spring, they migrate into the mountains with their herds. When summer ends they harvest the hay—creating a dusty avalanche of bales. In winter, it is the shepherds themselves, hanging on to their sheep, who roll down the mountains in the snow. Accompanied by Vivaldi’s The Four Seasons, these highland dwellers perform feats of pure survival. 　　This is humanity, trapped in a brutal but stunningly beautiful existence. To the melodic rhythms of camerawork, montage, and a lyrical score, Pelechian and Vartanov elevate it into a full-blown symphony—a symphony of being.

《SEASONS》导演：胡昊为（Erica hu） 。胡昊为，毕业于中国传媒大学动画学院，后考入纽约视觉艺术学院（School of Visual Arts）硕士。《SEASONS》是胡昊为SVA的毕业设计作品，入选SIGGRAPH Asia 2011。艺术指导：商倬，毕业于传媒大学动画学院。音乐：袁思翰。特别感谢：缪妙 万颖 张斗成 台锋。

16mm胶片作品，时长15分钟。 　　受安腾广重的木雕作品启发的短片，布拉哈格的刮划胶片感光层作品在Solomon设计的灯光下被打亮并增加了一种独特的质感。 　　两位大师的合作呈现出了一部唤醒野性的自然之力的抽象演绎作品。布拉哈格刮划的胶片盘被Solomon的灯光以及上色转变成了一场色彩的洪流。 　　本片同时也是布拉哈格巨大作品集“…”系列的一个子作品。

最后一个男人 第四季 The Last Man On Earth Season 4 (2017)地球上所有具有Y染色体的哺乳动物突然同时死亡，幸存下来的只有一个叫尤里克·布朗

《捷克的四季》是木偶动画史上的先驱伊里·特恩卡的第一部木偶动画长片。影片的六个段落分别讲述了发生在四季当中的故事，展示着捷克乡村中传承了数个世纪的民俗服装和风情。全片没有对白，但依靠可爱而细致的木偶、美丽的场景与服装，以及童声合唱团演绎的捷克民歌，影片的内涵与情绪同样直抵观众内心。

高口碑获奖悬疑佳作！狂揽海内外电影奖项，藏地电影类型化的全新突破，前所未有的“荒野狼人杀”式沉浸观影体验！ 暴风雪夜，护林员桑杰（金巴饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦饰），惊魂未定间，又一位男子（达杰丁增饰）持枪闯入，声称他才是真的森林公安…… 是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……

高口碑获奖悬疑佳作！狂揽海内外电影奖项，藏地电影类型化的全新突破，前所未有的“荒野狼人杀”式沉浸观影体验！ 暴风雪夜，护林员桑杰（金巴饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦饰），惊魂未定间，又一位男子（达杰丁增饰）持枪闯入，声称他才是真的森林公安…… 是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……